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Roger ebert
Roger ebert












roger ebert roger ebert roger ebert

Some good news, which is also bad news: many viewers have probably already read Krishnamurthy’s popular epic, which was originally serialized in “Kalki” magazine throughout the early 1950s. You can’t enjoy “Ponniyin Selvan: Part II” without having already seen “Ponniyin Selvan: Part I,” not unless you’ve read Krishnamurthy’s books. Adapting “Ponniyin Selvan” has been a dream project for a few Indian filmmakers, including writer/director Mani Ratnam, who’s best known to American cinephiles for helming the epochal 1998 Bollywood romantic drama “Dil Se.” Ratnam has also admitted that his two-part version of “Ponniyin Selvan” could not have been made without the inspiration and success of “Baahubali.” It’s easy to see why based on “Ponniyin Selvan: Part II,” a sequel that, like Rajamouli’s “Baahubali: The Conclusion,” often feels like an involved-but-satisfying de-escalation of the first movie’s dramatic tension.














Roger ebert